Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
baroessan lehzen var victorias alskade lararinna och kom att utova ett stort inflytande pa henne

ID: 61477

unknow artist baroessan lehzen var victorias alskade lararinna och kom att utova ett stort inflytande pa henne
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unknow artist baroessan lehzen var victorias alskade lararinna och kom att utova ett stort inflytande pa henne


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unknow artist

  Related Paintings of unknow artist :. | Wall painting from the Palace of Amenhote III | European city landscape, street landsacpe, construction, frontstore, building and architecture. 347 | Floral, beautiful classical still life of flowers 01 | Sexy body, female nudes, classical nudes 58 | Portrait of George Pigot, Baron Pigot |
Related Artists:
Robert Walter Weir
Jun 18.1803-May 1.1889, Painter and teacher. By his own account he was self-taught, with the exception of a few lessons from an unknown heraldic painter named Robert Cooke. However, after exhibiting a few works that were praised by the local press, he was sent to Italy by a group of New York and Philadelphia businessmen for further studies. There he trained with Florentine history painter Pietro Benvenuti. After three years in Europe (1824-7), he returned to New York, where he quickly became a mainstay of the artistic community. In 1831 he was elected to membership in the National Academy of Design in New York, and three years later he was made instructor of drawing at the US Military Academy in West Point, New York, a post he held for the next 42 years.
Edmund Morison Wimperis
1835-1900
Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.






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